Yale Graduates Seek a Hip-Hop Degree
Danny Ghitis for The New York Times
The creators of Rap Genius, a hip-hop lyrics site, from left, Ilan Zechory, Tom Lehman and Mahbod Moghadam.
By JOSHUA BRUSTEIN
Published: November 9, 2012
IT started with confusion over a Cam’ron lyric.
In
2009, Tom Lehman, a computer programmer, was puzzled by the line, “80
holes in your shirt: there, your own Jamaican clothes” in the rap song
“Family Ties.” What were “Jamaican clothes,” he wondered?
A
friend from Yale, Mahbod Moghadam, guessed that the lyric referred to
the tattered clothing worn by impoverished Jamaicans. That turned out
not to be true, but it was enough to inspire Mr. Lehman to build Rap Genius, a Web site that seeks to decipher every lyric in hip-hop.
While
rap lyric sites are not new, Rap Genius distinguished itself by adding a
Wikipedia-esque twist, allowing anyone to annotate lyrics with words,
photos and videos. More than 250,000 people have submitted explanations
to date, with contributions vetted by 500 editors, many of them high
school or college students.
The
result is a mélange of decoded slang, interpretations of varying
plausibility and dorky jokes that has struck a chord. The site draws two
million unique visitors a month, according to comScore, an independent
analytics firm, and last month Ben Horowitz, a well-known venture capitalist in Silicon Valley with a soft spot for hip-hop, announced he was investing $15 million in the site.
But
the project has also been dogged by awkward questions about race and
authenticity, including a recent dispute over conversations in a chat
room that some call racist. Not helping matters is the
sometimes-outlandish behavior of its three founders, Mr. Lehman, Mr.
Moghadam and a third buddy from Yale, Ilan Zechory.
Rap
Genius is run out of two penthouse apartments in Williamsburg,
Brooklyn, where the founders seem to fancy themselves as hip-hop
personalities in their own right.
Mr.
Lehman, 28, sports an unkempt Afro of sorts, and seems to wear a
different pair of sunglasses for every conversation. Friends noted a
striking accumulation of skinny jeans in various colors after he
received Mr. Horowitz’s check. Mr. Lehman is also a stickler for
punctuation, which can be torture for someone who runs a crowd-sourced
hip-hop Web site.
Mr.
Moghadam, 29, favors shirtlessness to show off a muscular upper body,
and speaks in a unique patois that mixes phrases like “we got bottles”
and “pop it for pimp” with graduate-school-level discussions of
Orientalism and religious texts. He can come off as a star-struck fan,
bragging about meeting Gucci Mane or Big Boi one moment, before drifting
into hyperbolic claims about Rap Genius’s future the next.
Mr.
Zechory, 28, cuts a more modest figure. He says that his two friends
are playing roles, and marvels at their ability to keep up the act.
“I’ve never seen him break character,” he said of Mr. Moghadam.
Perhaps the site’s biggest claim to fame has been its ability to get several famous rappers, including Nas and
50 Cent, to explain their own lyrics on the site. GZA from the Wu-Tang
Clan received a tutorial last month. He came away enthusiastic.
“This
is a perfect site for me, because I love talking about hip-hop and
lyrics,” he said. “The way I write is like a puzzle, so most of it can
be broken down and explained in detail.”
But
some critics suspect that Rap Genius’s founders are engaged in a sort
of perpetual parody of the music they claim to be rhapsodizing. “There’s
a consciousness about what they’re doing — we call it ‘slumming,’ ”
said Camille Charles, a sociology professor at the University of
Pennsylvania who studies race.
The site has been plagued by other troubles. Many of the song transcripts are identical — typos and all — to those found on the Original Hip-Hop Lyrics Archive, a Web site that has existed in varying forms since 1992. And some explanations are cause for eye-rolling.
“It’s
frequently incorrect, just straight up wrong, in the transcription and
definitely in the interpretation,” said Adam Mansbach, the author of “Go
the ____ to Sleep,” a profane play on the bedtime storybook.
Mr.
Moghadam said that he is aware of how a hip-hop site created by three
Yale graduates might raise suspicions. But he notes that Rap Genius is
designed to weed out wrong answers, using as an example his own faulty
explanation of “Jamaican clothes,” which the site now says refers to “mesh tank tops with a lot of little holes in them.”
At the same time, Mr. Moghadam’s own actions have given critics plenty to work with.
When
Kool A.D., a rapper from the group Das Racist, referred to Rap Genius
as “white devil sophistry” in a song last year, Mr. Moghadam posted a
response video, in which he raps about the color of Kool A.D.’s skin
with a line that some took as racist. (Mr. Moghadam, who is Persian,
insists he was making a reference to how he thought Kool A.D. looks
sickly.)
But
the racial questions arose again a few weeks ago when Bryan Crawford, a
prominent hip-hop blogger, posted screen grabs from a Rap Genius chat
room that showed users making jokes about slavery.
In
response, the founders denounced the jokes as racist, but added that
the site could be not be held accountable for every comment, much like
Twitter can’t be blamed for every offensive tweet. On his own, however,
Mr. Moghadam went further and physically threatened Mr. Crawford in an
online chat and on Twitter.
Mr.
Moghadam insists that the beef was largely tongue-in-cheek, and that
the bluster is just part of the pugnacious hip-hop world. “Dissing is
their vocabulary,” he said. “If they’re dissing you, they’re showing you
respect.
source: http://women-clothes-store.blogspot.com
IT started with confusion over a Cam’ron lyric.
In 2009, Tom Lehman, a computer programmer, was puzzled by the line, “80 holes in your shirt: there, your own Jamaican clothes” in the rap song “Family Ties.” What were “Jamaican clothes,” he wondered?
A
friend from Yale, Mahbod Moghadam, guessed that the lyric referred to
the tattered clothing worn by impoverished Jamaicans. That turned out
not to be true, but it was enough to inspire Mr. Lehman to build Rap Genius, a Web site that seeks to decipher every lyric in hip-hop.
While
rap lyric sites are not new, Rap Genius distinguished itself by adding a
Wikipedia-esque twist, allowing anyone to annotate lyrics with words,
photos and videos. More than 250,000 people have submitted explanations
to date, with contributions vetted by 500 editors, many of them high
school or college students.
The
result is a mélange of decoded slang, interpretations of varying
plausibility and dorky jokes that has struck a chord. The site draws two
million unique visitors a month, according to comScore, an independent
analytics firm, and last month Ben Horowitz, a well-known venture capitalist in Silicon Valley with a soft spot for hip-hop, announced he was investing $15 million in the site.
But
the project has also been dogged by awkward questions about race and
authenticity, including a recent dispute over conversations in a chat
room that some call racist. Not helping matters is the
sometimes-outlandish behavior of its three founders, Mr. Lehman, Mr.
Moghadam and a third buddy from Yale, Ilan Zechory.
Rap
Genius is run out of two penthouse apartments in Williamsburg,
Brooklyn, where the founders seem to fancy themselves as hip-hop
personalities in their own right.
Mr.
Lehman, 28, sports an unkempt Afro of sorts, and seems to wear a
different pair of sunglasses for every conversation. Friends noted a
striking accumulation of skinny jeans in various colors after he
received Mr. Horowitz’s check. Mr. Lehman is also a stickler for
punctuation, which can be torture for someone who runs a crowd-sourced
hip-hop Web site.
Mr.
Moghadam, 29, favors shirtlessness to show off a muscular upper body,
and speaks in a unique patois that mixes phrases like “we got bottles”
and “pop it for pimp” with graduate-school-level discussions of
Orientalism and religious texts. He can come off as a star-struck fan,
bragging about meeting Gucci Mane or Big Boi one moment, before drifting
into hyperbolic claims about Rap Genius’s future the next.
Mr.
Zechory, 28, cuts a more modest figure. He says that his two friends
are playing roles, and marvels at their ability to keep up the act.
“I’ve never seen him break character,” he said of Mr. Moghadam.
Perhaps the site’s biggest claim to fame has been its ability to get several famous rappers, including Nas and
50 Cent, to explain their own lyrics on the site. GZA from the Wu-Tang
Clan received a tutorial last month. He came away enthusiastic.
“This
is a perfect site for me, because I love talking about hip-hop and
lyrics,” he said. “The way I write is like a puzzle, so most of it can
be broken down and explained in detail.”
But
some critics suspect that Rap Genius’s founders are engaged in a sort
of perpetual parody of the music they claim to be rhapsodizing. “There’s
a consciousness about what they’re doing — we call it ‘slumming,’ ”
said Camille Charles, a sociology professor at the University of
Pennsylvania who studies race.
The site has been plagued by other troubles. Many of the song transcripts are identical — typos and all — to those found on the Original Hip-Hop Lyrics Archive, a Web site that has existed in varying forms since 1992. And some explanations are cause for eye-rolling.
“It’s
frequently incorrect, just straight up wrong, in the transcription and
definitely in the interpretation,” said Adam Mansbach, the author of “Go
the ____ to Sleep,” a profane play on the bedtime storybook.
Mr.
Moghadam said that he is aware of how a hip-hop site created by three
Yale graduates might raise suspicions. But he notes that Rap Genius is
designed to weed out wrong answers, using as an example his own faulty
explanation of “Jamaican clothes,” which the site now says refers to “mesh tank tops with a lot of little holes in them.”
At the same time, Mr. Moghadam’s own actions have given critics plenty to work with.
When
Kool A.D., a rapper from the group Das Racist, referred to Rap Genius
as “white devil sophistry” in a song last year, Mr. Moghadam posted a
response video, in which he raps about the color of Kool A.D.’s skin
with a line that some took as racist. (Mr. Moghadam, who is Persian,
insists he was making a reference to how he thought Kool A.D. looks
sickly.)
But
the racial questions arose again a few weeks ago when Bryan Crawford, a
prominent hip-hop blogger, posted screen grabs from a Rap Genius chat
room that showed users making jokes about slavery.
In
response, the founders denounced the jokes as racist, but added that
the site could be not be held accountable for every comment, much like
Twitter can’t be blamed for every offensive tweet. On his own, however,
Mr. Moghadam went further and physically threatened Mr. Crawford in an
online chat and on Twitter.
Mr.
Moghadam insists that the beef was largely tongue-in-cheek, and that
the bluster is just part of the pugnacious hip-hop world. “Dissing is
their vocabulary,” he said. “If they’re dissing you, they’re showing you
respect.
source: http://women-clothes-store.blogspot.com
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